Impressive performance and also the fastest 35mm I ever owned. Its really not a huge deal. Oh and I believe that where the results are for "Real Aperture" in those tests may actually be the measured T-Stop? Its not. These are stills lenses, and as Ryan De Franco correctly points outare designed to MAXIMIZE their resolution at F4 or 5.6. That's where my obsession started. KOMODO + Canon FD or Contax Zeiss + Focal Reducer Whenever I started thinking the Soviet lenses were sharp, Id pop one of the Contax on the camera and stare in awe. All times are GMT-8. Super Speeds and Standards for cinema. I needed the one extra stop of light though, for consistent f/2 or faster through the main set. Informative and equally hilarious in parts :) I'm sure it will prove a resource for many many people over the years. This turns the original C/Y mount into a solid EF mount that wont budge for nothing. But it's a lens meant for stills and cheap as hell compared to cine glass. Nothing is free. :) Thanks buddy. Does not come with any adapter. The main difference being that a normal human can afford Contax Zeiss but not Leicas. check out the. Old against New: Zeiss 2.8/28 vs Sony FE 2/28 vs Minolta MC 2/28 That's what I'm thinking, though no official sources have been cited on the tests, it may have been pulled from articles or done independently, not sure. See the photo below! Anyone who says a lens made in Germany is better than the same lens made in Japan is full of shit. Its also quite similar to the modern 15/2.8 ZF/ZE offered by Zeiss, just a 2/3 stops slower. Sharp wide open and has a floating element. On the 918 I keep the main six lenses of the set plus variable NDs and other filters. As a reference, my main set of lenses at this time was a Soviet kit that I put together because of their imperfections and organic look. Contax RTS Series SLR Camera Models - MIR A) They are FULL FRAME and will cover Dragon, and it would seam, even VISTA VISION WEAPON. Theres a lot of discussion whether the 135mm f/2.0 has a clear advantage over the f/2.8, especially when you take into account the price difference. I almost went for the wrong one with my MM obsession, but I was warned by my followers on Instagram about the edge the AE had over the MM. The 35 f2, 25f2, 50 f2 lenses are all completely new and completely superb. You NEVER SEE it wide open, because the blades arent engaged. Back then, not all C/Y Zeiss lenses could be adapted for EOS cameras . some lenses required minor surgery to make them useable. The most up-to-date guide to almost every Contax lens ever made. reduser.net. Having them separate also gives me versatility on pricing, since the main set can still go out without them for a more accessible price. Filter. Their disadvantages are that they don't have matching T stops (hey, theyre still lenses!). Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. The Contax I is a high-end 35mm rangefinder camera made by Zeiss Ikon to compete with Leica models. Related Topics . This page was generated at 05:50 PM. Are usually 2.8. These lenses thread the fine line between organic and sharp, a line as thin as depth of field on an 85/1.2 wide open, only second to Leica. Expect there to be bidding wars on eBay now, the gates of CONTAX HELL have been unleashed. The Soviets were good enough for my own projects, but I needed something more reliable on this one. Check it out: Copyright 2007-2022. @ Yean: Same here, my Contaxes shift very little if at all, especially when compared to any modern electronic lens. Thats when I learned of Leitax and their mount replacements. The 135mm f/2.8 was a great lens. Page of 320. I have a mixed set and barely notice the difference. @Yean: I'm 99 % sure it's the adapter then. All times are GMT-8. Zeiss and Yashica lenses are all in all rumored to be better, but are much more expensive. I remember someone doing a test a when the epic first came with stills lenses and noticed it too. In the same way RED wants to give you as many options by letting us shoot RAW, my hunch is that Zeiss was doing the same back in the day with a low-con coating. I paid around $250.00 for my 35-70/3.4 and around $800.00 for my 21/2.8 both in mint condition! In fact, i'm almost considering selling my 85mm f1.4 for that reason. The 35-70 doesn't move when the camera tilts. The main difference being that a normal . Really. 300 g Possibilities of combining Carl Zeiss lenses with Mutarconverters for use with the ContaxSLR camera system Carl Zeiss Photoobjektive D-73446 Oberkochen Telephone (07364) 20-6175 Fax (07364) 20-4045 eMail: photo@zeiss.de http://www.zeiss.de Contax Zeiss Survival Guide. The Canon EOS R10 is compact, mid-level 24MP APS-C mirrorless camera built around Canon's RF mount. 06-22-2022, 04:47 PM Hey, everybody, I know we have the awesome Contax Zeiss Survival Guide but looking at building a set of Zeiss lenses myself from bargain finds and fixer uppers I've collected, I wondered what anybody's experiences might have been with mixing Zeiss lineups together? . Only 4 lenses were "officially" improved during the jump to MM: the 25 2.8, 28 2.8, 135 2.8, and 135 f2. Contax Zeiss Survival Guide: Adapted Lens Talk Forum: Digital Thoughts? But then work started picking up and I saw that as the perfect opportunity to upgrade. All times are GMT-8. Contax rangefinder - Camera-wiki.org - The free camera encyclopedia Also the low-con coating does give you more latitude. So far, I had no previous love for Contax and a little bit of prejudice against Zeiss for making lenses too clean. I then redesigned and printed new focus gears for these and ordered more Leitax mounts and that was good for another five months. Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws. To fit the barrel of the lens, use a caliper and be precise about it. This will ensure a constant outside diameter, which means you dont have to adjust your follow focus every time you change lenses. They are much more closer to a Super/Standard speed look then the modern zeiss glass including the Cp2s. This is another trick to make lens swaps faster, since you wont need to adjust your follow focus back and forth on the rig. remained behind in the ruins of the city of Jena, trapped behind the Iron Curtain. That was rad :). Time. These terms refer to all lenses 45mm and up (to 500mm). You can either build a $1500 set or a $10000 set and youll always impress with the results. Filter. MM's from 1984 to 2005. I needed a proper case! The price was pretty good and Im the type of person that can buy something just because the price is good. If I know Im not gonna need either the 15 and the 60, I just dont take their case with me. The planar 35mm F/1.4, 50mm T1.4 and 85mm F/1.4, are among some of them. Standard lens, cant really make a set without a 35mm in it, right? Thats NOT to say all the designs are the same. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria. The Minolta MC 2/28 is the oldest and fastest of the bunch, it was introduced in 1975. These lenses thread the fine line between organic and sharp, a line as thin as depth of field on an 85/1.2 wide open, only second to Leica. Its a very charming (or annoying, depending on your POV) design to the aperture blades that looks like a crooked ninja throwing star. As many of you knowI have been a strong proponent of Contax Glass on REDUSER for a while now. For a while I didnt understand the need for 80mm fronts, so Ill share what I learned so others wont live too long unknowing like me! Are not only the slowest, but frequently the most classic. Next up was the 35mm, two stops faster at f/1.4. Also, Super Speeds are a 1.2/1.4 at 18mm and 25mm. If you do have a printer, I made a tutorial on how to make focus gears! They cover full frame, are super easy to adapt to many other mounts and never lose their value. $2 each. To summarize, yeahthey look remarkably similar. Im sure that approach had similar benefits with cinema lenses and Hasselblads. Things can still look beautiful, but Zeisss philosophy is not to make things pretty, but to be true. Every time I had to pick a lens I went for the 35mm f/2.8 instead. In this guest post, Vancouverbasedfreelance filmmaker and an anamorphic lens freak TitoFerradans,is exposing us to hisContax Zeiss CineTune-Up Guide. Thank you, that was very informative! check out the. Im selling all the gears I made for my set on eBay, I made a tutorial on how to make focus gears, the same formula for the 21mm f/2.8 ZF/ZE primes, I was warned by my followers on Instagram about the edge the AE had over the MM, he can provide caps with stickers already on them, see here, by Moritz Schierenbeck on VLFVs facebook group. It had five lenses: 28/2.8, 35/2.8, 50/1.4, 85/1.4 and 135/2.8. The 135mm f/2.8 was a great lens. Then, near the end of last year I decided to round out the set and make it suitable for renting. Impressive performance and also the fastest 35mm I ever owned. On the 918 I keep the main six lenses of the set plus variable NDs and other filters. I personally own the 35mm and the 50mm. Leitax mount on the left, original Contax/Yashica mount on the right. ALL of my MMs do NOT have the Ninja-Star, so Im going to say this is a Maxim. Of course, that was way before RED and Leitax adapters. Theyre fully manual focus and aperture -, have solid metal construction, long focus throw, and a great feel overall. 15 3.5, 16 2.8 FISHEYE, 18 f4, 21 2.8, 25 2.8, 28 f2, 28 2.8, 35 1.4, 35 2.8, 45 2.8, 50 1.4, 50 1.7, 55 1.2, 60 2.8 Macro, 85 1.2, 85 1.4, 85 2.8, 100 f2, 100 2.8 Macro, 100 3.5, 135 f2, 135 2.8, 180 2.8, 200 f2, 200 3.5, 200 f4, 300 2.8, 300 f4, 500 5.6, 500 f8, 1000 f8, 28-85 3.3-f4, 35-70 3.3, 35-135 3.3-4.5, 80-200 f4, 100-300 4.5-5.6, 40-80 f4, 70-210 3.3. In fact, at 5.6 Contax, Supers and Standards looked IDENTICAL. The Soviets were good enough for my own projects, but I needed something more reliable on this one. Lastly, just for curiositys sake, Carl Zeiss has a specific nomenclature for his lens designs and you can see some of them written on the ID ring of these Contax Zeiss lenses. Fluorescent paint to make markings easier to spot in the dark, by Moritz Schierenbeck. Sonnar originally meant "Sunny", because historically these used to be the bright, fast designs when they first came out. I like to add 0.3mm to the measurement to give me a little wiggle room after printing. It's definitely not lens breathing. I didnt think too much about them when designing, they just needed to fit around the ring, and our printer was painfully slow (M3D, Im looking at you).
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