The original neck is in the old style. Call us on:0207 175 1644 . He moved to London at the age of 12 to apprentice with Richard Duke. The instrument made by the group involved in the previous year's class is also varnished, strung up, and played. Betts instruments tend to exhibit very high standards of . Email (*) Message (*) Enter Captcha. The "Betts" is among the most legendary violins from Stradivari's workshop. Lob 352mm. Retrieved from the Library of Congress, https://www.loc.gov/item/ihas.200155591/. Maker - Amati - John (I) Betts The written permission of the copyright owners and/or other rights holders (such as holders of publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. John Montgomery, Sam Zygmuntowicz, Raymond Shryer also did some needed tonal adjustments on it. John Betts was born in Stamford, England, in 1752. Brompton's reference library, in association with Claudio Amighetti, provides you with the price of a Violin by John Betts from Brompton's March 2012 auction results. Below, on the left, is a photo of the back of the Betts. He used two or three different labels. By 1920, the "Betts" was owned by R. D. Waddell of Glasgow. Traces of the compass points left when he marked the position of the lobes and nicks are still visible and can be seen using a mirror inside the top. Violin making is what John was trained to do at The Violin Making School of America, in Salt Lake City, Utah (1978-1981). The workmanship and varnish have much the same . In the first instance, we suggest submitting good-quality images to us, preferably by email to info@ingleshayday.com or by completing the valuation form. Betts instruments tend to exhibit very high standards of . The varnishing was be done by Jeff Phillips and Antoine Nedelec in Oberlin. The Betts family name came to prominence in the violin making world thanks to the work of John Betts, born in Stamford in 1752. John Betts John Willis Betts, B.Sc., B.Ed., M.Ed. The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes. He was not an exceptional luthier but he had a good eye for business and was therefore able to provide a livelihood for many of the most notable makers of the day. London, c.1785. In Images: Making a Stradivarius Violin | Live Science Using the same digital computer files generated by Steve Sirr, and used to make the parts for the violin made in Oberlin, Steve Rossow has carved Stradivari's archings into the new top, and back, and Stradivar's original shapes of the neck neck and scroll on his CNC machine. London, England c. 1790-1810 Length of Back: 36.0 cm Upper Bout: 16.1 cm Middle Bout: 11.0 cm Lower Bout: 20.0 cm Certificates on file: Bein & Fushi 1984 William Lewis and Son 1957 The Violin Shop: Stradivaris, Amatis, Guarneris, and more at the Not surprisingly, the nephew thought the violin should belong to the firm, but Arthur claimed that since he bought it with his own money, (one guinea) it was his. Betts Workshop Violin, London circa 1820. Please follow the link to confirm your registration. While these craftsmen produced a very important body of work, particularly the cellos which have become highly sought-after, Betts greatest importance was as a violin expert. For auction updates, special offers and news please sign up to our mailing list. After many years working for Duke, Betts became the foreman of his workshop and eventually took over the business. In turn his workshop influenced the leading makers of the day to look towards increasingly detailed copying of Cremonese masterpieces, assisted to a great extent by his relationship with Vincenzo Panormo, an Italian maker working in London. This violin from about 1790 is stamped on the back Betts / Royal Exchange / London. - 115 auction price results. Of the estimated 1,000 violins originally crafted . . The luminous golden-brown varnish is so transparent that even the most nuanced details of the tightly flamed maple used for the back can be seen, and the blackened edges of the small and charmingly shaped scroll round out this violin; it has been kept in very good condition and has undergone only minor repairs that are fitting for an instrument of its advanced age. (1847 - 1867) Arthur II and John Betts II inherited the family business at London's Royal Exchange from their father, Arthur I in 1847 and instruments with the label 'Arthur and John Betts' were made from this point until the shop closed in 1867. Brompton's is delighted to offer complimentary Violin appraisals for insurance, probate or sale purposes. Length of back 35.4cm, stop 132/193mm John Betts was born in Stamford, England, in 1752. Arthur Betts and Charles Vernon continued the shop for a few years before Arthurs famous purchase of the 1704 Betts Stradivari for the princely sum of one guinea. John Betts, Violin, c.1790, London. Violins and cellos for sale in London from Bridgewood & Neitzert Ltd: The UK's leading violin dealers, restorers & makers. Tel: +44 (0) 20 7354 5763 Rare Cello | John Betts | English Violoncellos | Skinner Inc. 244-250 West 54th Street He came to London to work for Richard Duke in Holborn in 1765. Violin by Antonio Stradivari, Cremona, "Betts". By this time, the family were well established as the leading London dealers of . Web.. https://www.loc.gov/item/ihas.200155591/. Under the sole ownership of Arthur, the workshop became incredibly skilled at imitating the work of the great masters and participated in some of the ethically short-sighted restoration practices that went on during the Victorian era. photograph | 19 photographs : color | Photograph (Form). It's questionable how many violins Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. In June of 2011, Steve Rossow, Steve Sirr, and John Waddle went to Oberlin, Ohio, to participate in the Oberlin violin makers workshop. What a good looking bunch! London He drilled holes for the upper and lower lobes and then connected them rather than working from a stencil type of pattern. [Web.] He was universally known as " Old John Betts," and was well respected and patronised. It is of the Amati model, plain wood, golden-brown varnish, with rather wide sound-holes. Kemp Hall Passage, Article. United Kingdom, Email: info.london@tarisio.com 1730, "Kreisler", Violin by Giuseppe Guaneri, Cremona, ca. Some people have been surprised that modern violins could sound as good as a Stradivarius, but in three well documented tests now, this has been proven to be the case. Robert Somers Brookings, an economist, founded in 1916 what became the Brookings Institution, a respected private nonprofit public policy organization. The violin has a two piece back of highly-figured, quarter sawn maple which is book-matched. After many years working for Duke, Betts became the foreman of his workshop and eventually took over the business. Once we have obtained quality CT scans of a violin, we can analyze its physical properties, density, mass, linear measurements, volumes, etc. Under Arthur especially the shop became known for its reproductions of historic instruments, similar to the activities of J.B. Vuillaume in Paris. This violin from about 1790 is stamped on the back 'Betts / Royal . Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. John (I) Betts. One of the many things that is pleasing about this beautiful instrument is that it represents some of the very best work of both makers. Please login to continue. John Betts school / circle: fine antique English violin circa 1820, Renting or leasing a violin from Corilon violins. Violin by John Betts, English circa 1790 - Auction Result Using another set of wood, also carefully selected, John, Steve Sirr, and Steve Rossow have completed another Betts copy violin. (1752 1823), Little is known about the early life of John Betts, son of Edward Betts, a farmer from Stamford. Gregg is holding the violin made by the class in 2010 and varnished in 2011. Once we have obtained CT scans of a violin and have chosen wood that matches the wood of the original, Steve Rossow can carve duplicate parts digitally, using his CNC machine. Arthur Betts used the violin for the rest of his career. His own workmanship was replaced by the efforts of his many employees after Read more. We use the digital information from the CT scans to make STL (stereolithography) files to directly transfer the carving of Stradivari's original archings into new tops and backs, and to directly transfer the shapes of Stradivari's original necks, and scrolls, using a CNC machine made and operated by Steve Rossow. In 1765 he moved to London to apprentice with Richard Duke and after seven years he became shop foreman, eventually buying the business from Duke's daughter. , circa 1780Cello. The two of them are shown in the workshop discussing some aspect of the project. Italian instruments to London, and was partly responsible for the ascent of, Sales Tax (New York, London and Berlin Sales), Panormo The life and work of Vincenzo and his sons Latest research, new biography, 22 instruments and bows, LSO Digital Exhibition, Violins of the LSO Violin Festival. Below, Chris Germain (shown on the left) is the director of the workshop and has a violin shop in Philadelphia, PA.. John Montgomery takes care of the instruments in the Library of Congress, and has a violin shop in Raleigh, North Carolina. We use cookies to improve our services and provide you with a better shopping experience. Arthur Betts I | Tarisio John Betts London. If on the other hand, you are a person who cannot afford to buy such a violin, you might be able to actually own a fine violin which is very close, for a fraction of the cost. Betts, John - violin_makers.en-academic.com The violin is in exceptional original condition. Company number: 9889926. John is also part of an ongoing collaboration with luthier Stephen M. Rossow, and Radiologist Steven A. Sirr, M.D., on a project that uses existing and emerging technologies to explore the structure of-and . , circa 1790Cello, John Betts The violin in the photo above has been sold. Betts Workshop Violin, London circa 1820 | Sold 1795 John Betts for Sale at Fine Fretted String Instruments The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network. This violin was part of an event in conjunction with Cremona Mondomusica in New York city in March of 2013, called "Stradivari vs. the Modern Violin". (b Stamford, Lincolnshire, 1752; d London, 1823) One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. Not consenting or withdrawing consent, may adversely affect certain features and functions. photograph | 18 photographs : color | Photograph (Form). Kurfrstendamm 28 In 1923, Jay C. Freeman of Wurlitzer approached Waddell in Scotland and came away with the "Betts" as well as the "Leduc" Guarneri. The Betts family name came to prominence in the violin making world thanks to the work of John Betts, born in Stamford in 1752. Violin by Antonio Stradivari, Cremona, "Betts". The next picture shows Stradivari's beautiful arching being re-created using our new process. John Betts - Potter Violins His shop was staffed by some of the best 18th and 19th century British craftsmen, including Vincenzo Panormo, Joseph Hill II, Henry Lockey Hill, Richard Tobin, Bernard Simon Fendt, and John Furber. Article. A deal was made and the instrument changed hands for the sum of only one guinea. Next to that, to the right is a photo of our digitally carved copy of the back of Betts. His teacher had been none other than the famous violinist, Giovanni Battista Viotti, who played a 1709 golden period Stradivari violin, so Arthur knew what he was doing. Please get in touch for more details about this beautiful English violin for sale by Arthur and John Betts. He became known as an expert dealer and businessman, and was appointed Official Valuer of violins to the Customs Office. English This area corresponds with the dimensions of the original fingerboard giving a clue to the range of notes that a musician could play. In the last year, they spent several months painstakingly putting back together my severely damaged 1790 John Betts cello. Fine English violin, John Betts school circa 1820 - YouTube Gregg Alf was in charge of the varnishing of this violin, and did a beautiful job. JOHN BETTS A VIOLIN, LONDON, CIRCA 1780 Unlabeled, branded at the button BETTS ROYAL EXCHANGE LONDON, branded at the end pin J. BETTS, length of back: 13 13/16 in. Photograph (Form). The instrument is the work of one of his students or another luthier who upheld the Betts tradition, making it a worthy representative of early 19thcentury English violin making, and its interesting, stylish aesthetic is just as compelling as its exceptionally beautiful sound. Email: John Betts. Article. Part of that status comes from the circumstances of its acquisition. Betts was one of the first in this country to do extensive business in Italian instruments, and a large number of fine violins found their way into this country in his time. 35.6 cm London, 1810 c. after "Nicolo Amati", 73.6 cm London, Early 19th C. [Workshop of]. (1775 - 1847) Younger brother of John Betts, Arthur Betts was a good violinist and had lessons from Viotti himself. Tel: +1 212 307 7224 He made his own instruments as well as collecting and trading the work of old masters. photograph | 35 photographs : color | Photograph (Form). The 1704 Betts violin is named after John Betts, a violinmaker in London who bought the violin in excellent condition for one guinea in 1820. John Betts cello, London circa 1810 John Betts cello, London circa 1810 First Name (*) Last Name (*) My Phone. Using a carefully selected matching top, back, neck and scroll carved by Steve Rossow on his CNC machine directly from computer files generated from CT scans of "the Betts" violin, the Oberlin Betts copy was completed by the class as a group project to the point of being playable but without varnish. John Edward Betts - Wikipedia This catalog data provides the details known to the Library of Congress regarding the corresponding items and may assist users in making independent assessments of the legal status of these items as related to their desired uses. A CNC machine is a precision carving machine. In about 1820, an individual entered Betts' shop at the Royal Exchange in London and offered the violin in its pristine state. Bow maker / Violin maker 1730, "Goldberg-Baron Vitta", Viola by Antonio Stradivari, Cremona, 1690, "Tuscan-Medici", Violin by Antonio Stradivari, Cremona, 1704, "Betts", - They serve to improve service and provide a more personalised experience. The Oberlin violin makers workshop has been in operation for fifteen years. Betts, No. It simply isn't true that old violins always sound better than new ones. (351 mm) with double case (2) If you wish to view the condition report of this lot, please sign in to your account. Violin by Arthur and John Betts - Tim Wright Fine Violins Scotland Article. Article. Article. Betts was a talented maker himself and also employed some of the most talented English makers of the period, including Vincenzo Panormo, Joseph Hill II, Henry Lockey Hill, John Furber and both B.S. By 1781 he was working independently and hired his first apprentice around that time. Upon his death in 1823, he left the shop to his younger brother and pupil Arthur, as well as his nephew Charles Vernon. He came to London to work for Richard Duke in Holborn in 1765. The tone is moderately powerful, and very sweet and mellow. It was he who established the great Betts workshop in Holborns Royal Exchange around 1782. Most work is branded Betts, Royal Exchange on the upper back. In 1781 he was established there independently and in the following year he moved to the Royal Exchange, where he remained for the rest of his career. Composite, newer top (19th century) original back and sides. Next to it is a CT scan of the back. This outstanding reputation may be why John Betts was always able to engage excellent violin makers such as Richard Tobin, Henry Lockey Hill and members of the famous Panormo family as his employees. Claudia Fritz, Joseph Curtin, and Fan Tao have participated in two other similar tests, in Indiana and Paris. The "Betts" is among the most legendary violins from Stradivari's workshop. Photography by Ellen Broughton. Article. It is preserved in fine original condition except for the pegs and bridge. Inscribed inside the top in the upper treble bout are the words: The Betts / Stradivarius; in the lower treble bout the inscription reads: Purchased from / the duchess / of Camposelice / by W. E. Hill & Son / March 1892. We also have a selection of instruments and bows for private sale all year round. John Betts - Maker - Brompton's Auctioneers . Photograph (Form). , circa 1790Violin, John Betts If you are a person who is fortunate enough that you can afford to buy a genuine Stradivari, Guarneri, or Amati, by all means, you should do it! Fax: +1 212 202 4660, Tarisio London Betts himself became Official Valuer of violins to the Customs office. The technical storage or access that is used exclusively for anonymous statistical purposes. Instrument Making. We use this information to help choose the woods used and to guide us in the making of accurate copies. By the time this fine antique violin was crafted in approximately 1820, John Betts was already able to look back on an impressive oeuvre. Betts, John | Ingles & Hayday Amati, in collaboration with leading experts, have published a few key books in the field of stringed instruments. Betts Workshop Violin, London circa 1820 | SOLD - Martin Swan Violins This website uses cookies to ensure that we give you the best user experience. He came to London to work for Richard Duke in Holborn in 1765. It's questionable how many violins John Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. A sheer joy to play! It can carve wood more accurately than a human can. Violin - John Betts | Baroque Violin Shop In 1765 he moved to London to apprentice with Richard Duke and after seven years he became shop foreman, eventually buying the business from Duke's daughter. Fine Fretted String Instruments2345 Winchester Blvd. They liaised with my insurers and started work within days . the last line being written. Dismiss. Chris Germain is third from the left in the front row. He did not make many instruments himself, but employed excellent workmen, such as the Panormos, John Carter, Edward Betts, Bernhard Fendt, &c. The work is excellent, but poor instruments were occasionally sold by him, bearing his label. It's questionable how many violins John Betts himself made, but he employed an illustrious group of makers such as Tobin, Vincenzo and Joseph Panormo, both Bernard Simon Fendts and John Furber, along with other less well known names. The violin is in stunning original condition with no cracks. The violin was made in 1704, and retains what is believed to be its original untouched label. One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. In addition to his work as a maker, Betts imported the highest-caliber Read More Italian instruments to London, and was partly responsible for the ascent of Stradivari's reputation to equal Stainer's in public opinion of the period. Photograph (Form). If you missed the magazine, you can download the pdf here-. The oevure of John Betts began with his training under Richard Duke, one of the most highly esteemed English luthiers of the 18thcentury who passed his craft along to only three students: his son Richard Duke Jr., John Betts, and Betts nephew Edward Betts, who later worked at his uncles workshop; together they carried on Dukes great artisanal legacy within their own family tradition. He was universally known as " Old John Betts," and was well respected and patronised. Betts made fewer instruments in his later years, his reputation as an expert and connoisseur fully established. Choose whether this website uses functional cookies or cookies for tracking and performance, as described. In London, he apprenticed as a luthier with Richard Duke, one of the city's most notable violinmakers of the 18th century. One of the great advantages to having a dealership in conjunction with a workshop is that the makers had access to all sorts of beautiful and important Italian instruments to copy. It was he who established the great Betts workshop in Holborn's Royal Exchange around 1782. Songs and Music. I wrote an article, in collaboration with Steve Sirr, and Steve Rossow, on the Betts, which is available in the May 2010 issue of "the Strad" Magazine, published in London. Betts Workshop Violin, London circa 1820 | Sold The words "Jo. The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user. The Strad magazine has generously allowed us to reproduce two articles in this presentation: Exhibition Report: Born in the USA (July 2006) and National Treasure (November 2006). Close. Ingles & Hayday would like to send you information about our events and services, by post, telephone and email. Wurlitzer sold the "Betts" to John T. Roberts of Hartford, Connecticut, later acting as an intermediary in its sale to Mrs. Whittall. Betts became known as an expert connoisseur and was partially responsible for developing the outstanding reputation of Stradivari instruments in London. John Betts cello, London circa 1810 | Carriage House Violins You can contact the auctioneer on +44 (0)1543 251081 for more information. Intl: +44 207 175 1737 Betts was a talented maker himself and also employed some of the most talented English makers of the period, including . (born February 17, 1949 in Moncton, New Brunswick) is a teacher and a New Brunswick politician. Brompton's is delighted to offer complimentary Violin appraisals for insurance, probate or sale purposes. Directions. Betts was a violinist, teacher, and violin dealer. It continued into the 1860s under the direction of Arthur's sons Arthur II and John II before finally closing in 1867. They kept the company name but changed the labels to Arthur and John Betts. Marketing cookies are used to track the effectiveness of advertising, to provide more relevant services, and to deliver better ads that suit your interests. Please contact us for more information. Article. It was in this environment of exquisite craftsmanship that this violin was created a few years before John Betts death. Because of his great knowledge of the history of violin making, Betts was an excellent copyist. He is holding the violin we made there. (b Stamford, Lincolnshire, 1752; d London, 1823), One of the most important and influential violin makers in England in the eighteenth and early nineteenth centuries, John Betts was born in Stamford, Lincolnshire, in 1752. Talk to the Brompton's Team +44 (0)207 580 9550 . Betts, the leading instrument dealer of his time in London, was one of the first to import Italian instruments. 1786 John Betts Auction Results. The woods used for the copy are selected for their density, grain structure, and visual similarity to the Betts violin. He . John Betts violin label. It bears its original label. The Betts Stradivarius violin was the focus of the workshop. Germany, Email: info.berlin@tarisio.com About the violin. There was problem sending your activation email, please contact us. The varnish is extremely well preserved and retains some of its original texture. Violin by Andrea Guarneri 1694 - wrightviolins.com
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